Billy Sherwood’s 2015 album ‘Citizen’ looked at the world through the eyes of various historical characters, both real and fictional. He drafted in a few friends to make his vision a reality: Yes men Jon Davison and Geoff Downes lent their vocal and keyboard skills; other keyboards were added by sometime Yes members Rick Wakeman and Patrick Moraz, John Wesley, Steves Hackett and Morse each brought their distinctly different guitar chops to the recording sessions but, perhaps best of all, Colin Moulding (one time of XTC) came out of retirement for a guest vocal appearance. In many ways, ‘Citizen’ felt like an all star epic.
In 2011, something unexpected happened. The most perfect homage to American westcoast pop sounds appeared in the shape of a debut album by a band named State Cows. Bits of Toto, Airplay, Maxus and pretty much everything with that vibe from 1978-81 was reborn in an almost flawless contemporary recording. It was almost impossible to tell whether the recordings had been sitting in a vault since 1980. Even more unbelieveable, these wondrous American sounds were recreated in a much less sunny Sweden. For westcost lovers, tracks like ‘New York Town’ and the wryly humorous ‘Stella By The Barlight’ became fast and firm favourites. Two years on, the aptly named ‘The Second One’ brought more of the same, but was perhaps a little weaker in places. Not that State Cows had lost their knack for retro sounds – the songs were very strong; it was more that element of surprise was gone.
Following last year’s exhaustive box set of UK recordings, John Wetton fans will soon have another reason to celebrate. Before the end of 2019, the Wetton estate will release a deluxe box set of various solo materials, accompanied by a hard-backed book.
Although the final tracklistings and some of the small details are currently under wraps, it is believed that a couple of the albums will be expanded to two disc sets and various rarities will join the much loved albums.
More details can be found in the below press release.
Between the release of First Signal’s 2016 album ‘One Step Over The Line’ and 2019’s ‘Line of Fire’, the band’s core members kept themselves very busy. Vocalist Harry Hess recorded another album with his “day job” band, Harem Scarem (2017’s ‘United’); guitarist Michael Palace released his second band album with Palace – the appropriately named ‘Binary’ – and Daniel Flores returned to The Murder of My Sweet, releasing ‘Echoes of the Aftermath’ on Frontiers Records in 2017. In addition during those intervening three years, Flores and Palace scored themselves jobs as invaluable members of the Frontiers “house band”, lending their talents to releases by Toby Hitchcock, Find Me and Code Red. There’s almost been no time for them to sleep.
2018 was a very busy year for Johnny Gioeli. He released two well received discs in both his solo album and a collaboration with Deen Castronovo, but also found time to work on a new Hardline record. At a time where the respected rock singer appeared to be in strong voice, he was perhaps wise to take advantage of this burst of creativity, but has releasing three albums in a little under a year spread those talents a little too thinly?