In 2015, singer songwriter Matt Cahill took a break from his main band Evoletah to experiment with multi-instrumentalist Andrew Muecke and create something that would be so different from everything he’d recorded before. There’s no point in having side projects if they end up being too similar to your regular band, of course, but with The Quiet Room’s ‘All The Frozen Horses’, it’s unlikely that many Evoletah fans expected anything close to the sounds that materialised. Instead of atmospheric, guitar driven rock, The Quiet Room were all about keyboards, space and a cold spookiness.
Tony Palmer’s legendary film of Tangerine Dream’s 1975 UK visit has a troubled history. What should have been a fantastic document of a unique event ended up being a bit of a botch under the watchful eye of Richard Branson, when an executive decision was made to pair the visuals with (then) previously unreleased music, regardless of what was played at the show itself.
A new ‘Director’s Cut’ DVD finally married the images to the correct soundtrack, but a super-deluxe box set for 2019 goes a step further.
The work of producer/multi-instrumentalist Michel Simons and multi-instrumentalist Adrian Jones, Jet Black Sea was originally conceived as a side project to Jones’s prog rock band Nine Stones Close. A vehicle for experimentation, their debut release ‘The Path of Least Existence’ mixed elements of prog rock, ambient music, electronica and post rock with fantastic results. A follow-up ‘Absorption Lines’ was almost five years in the making. Absorbing more mellow prog rock sounds than before – presumably since Nine Stones Close had, by that time, veered towards a more prog metal sound on their 2016 LP ‘Leaves’ – the album was well received among online prog fans.
In March 2018, the debut album by Ghost Island was remixed and remastered and released via Fluttery Records.
Next month, the Phoenix based post-rock band will give the world something entirely new. Their new full-length, ‘Assimilation’ promises to be a dark and almost ambient affair, the kind of record that will utterly bend your late nights into the stuff of twisted nightmares.
When a musician is both prolific and open to lots of influences, they’ll end up with lots of musical ideas that don’t quite fit their regular outlet. Such is the case for multi-instrumentalist Adrian Jones. Whilst working on the Nine Stones Close album ‘One Eye On The Sunrise’, he and studio engineer/multi-instrumentalist Michel Simons recorded various pieces of music of a more laid-back and ambient nature. Rather more rooted within electronica and the darker worlds of Massive Attack than rock, the musical ideas were eventually released as an album, ‘The Path of Least Existence‘ credited to Jet Black Sea in 2013. With Jones returning to Nine Stones Close almost immediately afterwards and their ‘Leaves‘ album featuring some very dark and anguished material, it seemed like Jet Black Sea was merely a temporary outlet. A brilliant outlet, but not necessarily an ongoing fixture in the 9SC family tree. However, three years after their first Sea voyage, Jones and Simons re-entered the studio.