Hardcore/alt-rock legends At The Drive In have issued a new video for ‘Call Broken Arrow’, a track taken from their 2017 release “in•ter a•li•a”. The band reformed in 2015 following the demise of The Mars Volta.
The full animated clip can be seen in the embedded box below. “in•ter a•li•a” is available now on Rise Records.
REAL GONE SAYS: It’s good to have At The Drive In back…though we’ve never really recovered from their live set at the Reading Festival back in 2000!
In just two short years, Zwan demoed and recorded a huge amount of material. Whether in their electric format (The True Poets of Zwan) or stripped back and more acoustic driven (Djali Zwan), the Billy Corgan-fronted project showed a great depth and inventiveness.
Always a prolific writer, with Zwan, Corgan occasionally showed off his power pop influences (‘Lyric’, ‘Yeah’) alongside expansive prog rock indulgences (‘Jesus I/Mary Star of the Sea’). While not always championed by everyone, this varied approach to material ensured Zwan’s only studio album remains a thrilling listening experience years after the event.
In March 2017, retro rock band King Black Acid released their ‘Twin Flames‘ EP. Despite ’17 barely being a few months old at that point, it was clear that the EP was special enough to potentially be one of the year’s best releases. Bringing together the sounds of Crazy Horse, Band of Horses and more besides (not necessarily horse related), its three tracks dropped the listener into a twenty minute musical cycle that was both other worldly and pretty much timeless. If ever there were a great example of music being utterly satisfying, then ‘Twin Flames’ most assuredly fit the bill.
With the bleep of old style tone test, Sunshine & The Rain open their 2017 long player in a most unexpected manner. Kicking square into ‘Let’s Go’, their music, too, has a very old soul…and it’s all the better for that. It might seem at once that this duo’s main musical stock comes from tried and tested garage rock noise, but just as quickly as the distorted guitars assert themselves, the harsh melodies are topped off with plinking glockenspiels in a contest for the ultimate contrast. The vocals come with almost a sweet naivety, as Ashley Morey (previously of New Jersey’s The Black Hollies), approaches her performance with a clarity and an almost bubblegum inspired sound. With the push and pull between the noise and the pop, you’ll either love or hate this band immediately. If you hate them, your opinion is the wrong one. Within a couple of minutes, Sunshine & The Rain assert themselves as the most exciting thing to happen on the garage rock scene since Coach ‘n’ Commando released ‘FBP!K!K!‘ the previous summer…or maybe even since Brockley Forest dropped their third EP way back in 2015.
Shrewsbury’s The Devil In Faust mix up a world of rock-based influences on their debut EP, ‘Come Apart’. Three of the four featured songs centre around a genuine punch, and whether attempting something borne of faster alt-metal elements or tackling something a little meatier, there are some great riffs to be heard. These are riffs that, for the most part, sound a hundred times better with the volume cranked, thanks in no small way to producer Tue Madsen – a man best known for his work with Meshuggah, Sick of it All and Dir En Grey. The end results aren’t perfect, since the actual song writing can be a touch wobbly, but there’s certainly some enjoyment to be had from this uneven musical ride.