SPIELBERGS – This Is Not The End

In 2018, Norway’s Spielbergs made a grand entrance into the music world with their debut EP, ‘Distant Star’. With an epic fusion of 90s indie, shoegaze and a touch of dark synth pop, it’s five tracks took the listener on a retro journey that managed to feel very nostalgic but still sound great in the present. The signs were all there for a band whom were going to release a fantastic full-length the following year.

Two of the EP’s key numbers have been recycled for their full-length debut giving a strong feeling of continuity. The EP’s masterpiece, the sprawling eight minute epic ‘Ghost Boy’ has been left behind (giving listeners the ultimate reason to backtrack and check out the previous release if they’ve not already done so), but ‘Distant Star’ and debut single ‘We Are All Going To Die’ sound superb nestled amongst the newer material – and it’s a genuine thrill to discover these aren’t even the album’s best tracks!

Continue reading

EVIL OWL – Evil Owl EP

Not to be confused with the independent progressive rock band from Finland, the UK Evil Owl are hard, retro and grubby. On their self-titled EP from 2018, this Bristolian trio take the garage rock base of Brockley Forest and load it with the kind of distortion and arty noise that fuelled the Sonic Youth classics ‘Sister’ and ‘Evol’ and throw in a few influences from Mudhoney and Tad for good measure. The result is a genuine blast of guitar driven anger – four songs with a retro heart but also loaded with a timeless, fuzzy appeal.

Continue reading

NOVACROW – Criminal Mastermind EP

In 2016, Liverpool’s Novacrow released their debut EP ‘Black Syrup’, a melting pot of goth, grunge and funk with horror overtones that really captured a great sound. The riffs were often weighty, but most impressive of all were the vocals. It was immediately obvious that Kitty S. possessed a voice that really stood out above the heaviness; her clean vocal style made everything incredibly accessible and melodic, no matter how deep or intensive the riffs. Throughout the release, she sounded like a star in the making.

The following year came and went and things seemed to go rather quiet in the Novacrow camp. Finally, after what felt like forever, they returned with five new songs in the autumn of 2018. The resultant EP, ‘Criminal Mastermind’ isn’t as consistent as its predecessor and takes longer to get into, but when it really hits the mark, it presents a Novacrow that sounds as good as ever.

Continue reading

REAL GONE GOES OUT: Pixies – Roundhouse, London 1/11/2018

It’s Thursday night and the third night of the Pixies’ five day residency at London’s legendary Roundhouse, celebrating the thirtieth anniversary of the classics ‘Come On Pilgrim’ and ‘Surfer Rosa’. Reports suggest that last night’s show was amazing, so tonight, already knowing that both releases will be played in full and the band appear to be on form (actually talking to each other for long enough to stage such an event is a start), everyone is expecting good things. For any band to take up such a residency is a brave move – even a band with a huge back catalogue – but for Pixies, it’s a move that seems incredibly bold, considering both discs only total approximately fifty two minutes’ worth of music.

Continue reading

THE RUN UP – Good Friends, Bad Luck EP

The Run Up are five friends from Bristol, always ready to bring the world big riffs and bigger choruses. Their brand of pop-punk is tougher than most, but within the riffs comes a fantastic sense of all things melodic, always allowing great hooks to catch the listener. Their debut album, a self-titled affair from 2017, presented a solid half hour’s worth of material but, if anything, this follow up EP is even better. The short format suggests the band have really streamlined their approach and decided to only share the very best tracks this time around.

Continue reading