Since their arrival on the hard rock scene in the early ’10s, Hell In The Club have demonstrated an obvious knack for sleazy, old fashioned “hair metal”. Formed by a couple of musicians with links to European prog metal bands, it began as a way to have fun, but quickly became far more than a side project. Even at the point where you’d think HITC’s retro schtick would have run out of steam, on their 2020 release ‘Hell of Fame’, they sounded as good as ever, showing that they were still capable of delivering fantastic riffs and massive, cheesy chorus hooks. In some ways, their carefree, non-political approach, and willingness to convey a party spirit was exactly what was called for to distract everyone from those early Covid ridden times.
If you’re the kind of person who always expects musical perfection, Boston garage rockers A Bunch of Jerks just won’t be for you. Since their inception, the band have always championed a ragged style: their sound is often driven by an overly loud drum kit; there are never any attempts made to fix any wobbly vocal moments and, generally, you get the feeling the band put the same level of care into their recordings as they put into their frankly terrible choice of band name. Regardless of their trashy aesthetic, they’ve plugged on and won fans and supporters – not least of all from the bands within the Rum Bar family – and by 2020, they seemed to have a fairly solid online presence.
Their ‘White Girl Wasted’ digital EP – released in March ’20 – provided a reasonable snapshot of their no-frills style, presenting front-woman Stabby’s vocals high in the mix on a couple of raw, self-penned tunes. The free download also gave a welcome look into their broad world of influences via a spirited (but somewhat unfussy) cover of The Rezillos’ ‘Flying Saucer Attack’ which showed bassist Bat to be a pleasingly muscular player.
When The Almighty opened the Donington Monsters of Rock Festival in 1992, they sounded like a band ready to take on the world. Their second album, 1991’s ‘Soul Destruction’ had been hugely popular among UK rock fans and despite a key line-up change that saw guitarist Tantrum replaced by Alice Cooper sideman Pete Friesen, their third album – the soon to be released ‘Powertrippin’ – further showcased a band that seemed absolutely unshakable.
…And indeed, upon its release, the reviews for ‘Powertrippin’ were hugely positive. With its heavier stance and some brilliantly crafted songs, it quickly became a fan favourite. Peaking at #5 on the UK album chart, it also became The Almighty’s biggest commercial success. It clearly wasn’t successful enough for the label bigwigs, though, as Polydor Records dropped the band the following year.
Neal Smith will always be best remembered for his time spent as the drummer in the original Alice Cooper group between 1968 and 1974. Once seen, the image of that band becomes indelible. Not just for a body-stocking wearing, snake-wielding frontman, either. At their 1973 peak, Smith’s presence was like witnessing a blonde octopus attacking a drum kit. He allegedly always made sure his kit was one drum bigger than Keith Moon’s. There’s no denying that this man was a rhythmic god.
We’ve hit December 2019 and that can mean only one thing. It’s time for The Real Gone Advent Calendar!
As is traditional, over the next twenty four days, we’ll be posting a new link. It might be a video. It might be audio only. It might be an old favourite. It might be something brand new and unfamiliar. The only way to find out is by coming back each day and opening a new window.