Unforeseen sales in Australia for his 1977 LP (helped no end by a number one single) proved enough for the independent Ring-O Records to keep vocalist Graham Bonnet on their books. Eager to capitalise on this success, a follow up was recorded and released relatively quickly. Although ‘Graham Bonnet’ had been a largely patchy affair, compared to 1978’s ‘No Bad Habits’, it was a potential masterpiece.
In the late 60’s, singer-songwriter Graham Bonnet scored a massive hit single with cover of the Bee Gees’ ‘Only One Woman’ as part of pop duo The Marbles. Like so many pop acts of the era, The Marbles’ time at the top was brief. Neither of Marbles’ follow up singles or their album made anywhere near the same impact and they split soon after. Graham could’ve returned to his hometown of Skegness having at least briefly been a star, but realising he had more to give, he plugged on. He first made the move into recording advertising jingles as a means to pay bills, before releasing a couple more unsuccessful singles in the early 70s. Material for a solo album was recorded in 1974 but shelved for over forty years. After an appearance in the 1975 UK comedy film Three For All – starring his then partner Adrienne Posta – Bonnet finally made a step in a more positive direction career-wise when he signed a deal with the small Ring-O record label, with whom he released two full length albums, ‘Graham Bonnet’ (1977) and ‘No Bad Habits’ (1978).
Supergroups rarely last a long time. The combination of various egos usually leads to burnout pretty quickly. In the case of Blackthorne (featuring Graham Bonnet along with members of Quiet Riot, House of Lords and Skull), there wasn’t really anything you’d call genuine longevity, but their course ran a little longer than most. Formed in 1991, they released their debut ‘Afterlife’ in 1993 which led to some success in Japan. Work on a second album was undertaken in the mid-90s, but the band called it a day before the record was ready for release. The tapes remained unreleased until HNE Recordings unearthed them as part of their extensive (and excellent) Graham Bonnet reissue campaign. It’s a shame Blackthorne’s proposed second album couldn’t be heard in 1995, as at least half of it was an improvement over their first release.
Having already released ‘Afterlife’ with a handful of bonus tracks and finally gettiing ‘Blackthorne II: Don’t Kill The Thrill’ out to the fans in 2016, you’d expect that Cherry Red/HNE Recordings would have nothing more to give from Blackthorne’s all too short career, but this compilation (released in October 2019) actually adds a lot more to the band’s recorded legacy. Not so much a career overview with a few unreleased trinkets, this set is actually a vault of demos and alternate takes, peppered with a few album cuts to give a fairer overview of their short life span. Presented among the 44 tracks in this set are 30 unreleased cuts, a couple of which go right back to the band’s origins when the rhythm section featured White Lion men James Lomenzo and Greg D’Angelo. In other words, there’s a huge amount for fans to get their ears around.
Day 4 of Cherry Red Records’ “12 Days of Christmas” flash sale is a genuine winner for readers and followers of Real Gone as HNE Recordings – Cherry Red’s classic rock and metal subsidery offers sizable discounts on various unmissable items.
When the Graham Bonnet Band’s 2017 tour reached Japan, something unexpected happened. In addition to the standard band shows promoting the then current album ‘The Book‘, three more shows took place where bassist Beth-Ami Heavenstone stood aside and ex-Alcatrazz man Gary Shea performed. Those shows, performed under the Alcatrazz name, celebrated that band’s short career with its many hits and misses. Almost as an important a time in Bonnet’s past as his all too short-lived tenure with Rainbow, Alcatrazz remain a much loved band – especially in Japan – so it was only right the shows were recorded for later release.