In February 2018, singer songwriter Sophia Marshall released ‘lin-dah’, a three track EP of Kasabian covers. She was able to take the original material – including the massive hit ‘Fire’ – and strip it back to its core, resulting in recordings that found a place somewhere between folk and dreampop. [A full review of the EP can be found here.]
Kasabian are a huge selling band but, much like Elbow, most of their output hovers somewhere between generic radio filler and just plain dull. The idea of a Kasabian covers EP isn’t necessarily one that should excite: if you love Kasabian – for whatever reason – chances are, you’d want to spin the original tunes; if you hate Kasabian, hearing someone else recycling their often forgettable songs probably isn’t anywhere near the top of your priority list.
The fact that Kasabian are a generic radio filling non-entity didn’t deter singer-songwriter Sophia Marshall. The one time Have-Nots vocalist went to school with three members of the band and uses that as a springboard for her first covers EP of 2018. The cryptically titled ‘lin-dah’ finds the Leeds songstress taking three Kasabian songs and remoulding them in her own image. For something which, on paper, sounds less than pleasurable, the results are…impressive to say the least.
In the last quarter of 2015, Mason Summit left a lasting impression with his third album ‘Gunpowder Tracks’. Exploring various avenues of pop, Americana and folk, the singer-songwriter showed a talent and knowledge of influences that stretched beyond his years. With the world awash with great music in the digital age, it didn’t quite reach the size of audience it deserved but, for those who actually heard it, the feeling was unanimous – this was an unexpected gem that set expectations high for a follow up.
New Zealand singer songwriter Bruno Merz will release a new album ‘Whisper Turn’ in January 2018. Some three months ahead, he’s allowed the world an early glimpse of what to expect, as the title track is already streaming on Soundcloud.
Taking the softer moods of Josh Rouse, the accessibility of ‘Gold’ era Ryan Adams and coupling that with narrative drive of Michael McDermott, Garrett Hinson hits upon a winning formula on his second full length album. ‘Nothing Is Destroyed’ serves up a selection of timeless tales and immensely appealing Americana sounds; it’s the kind of record you get halfway through and find yourself wondering why he’s not far better known.