Lots of people will recognise Marty Willson-Piper as having been an important member of All About Eve, joining the band for their third LP ‘Touched By Jesus’ and subsequently adding his talents to a couple of their more overlooked records. You might also know Marty from his extensive work with Aussie alternative rock legends The Church.
Much less celebrated is Willson-Piper’s solo career. Between 1987-2008 he released six solo discs, all of which have gained a cult fanbase.
On their new single, indie-pop act The Arthur Brothers have thrown everything they know into a blender and hoped for the best. The results are fun, belwildering, catchy and annoying all at once.
The track features a few great pop hooks and some even better multi-tracked vocals on loan from Brian Wilson via Jellyfish and Eels, serves those with some solid indie jangle and even prefaces them with a near spoken vocal that’ll surely divide opinion. It could’ve been a mess.
6 time BBC award-winning singer songwriter Karine Polwart releases her eighth album this coming August. ‘Scottish Songbook’ does what it says on the tin, with Karine re-interpreting various pieces of Scottish pop spanning the last six decades. Fans will experience her putting her own stamp on classics by Deacon Blue and The Waterboys, as well as revisiting Strawberry Switchblades huge 1985 hit ‘Since Yesterday’.
You can find out more in the press release below, which contains a link to the new single, a cover of Ivor Cutler’s ‘Women of The World’.
Sun. Sand. Instagrammed images. Stock footage.
It’s all here in the new Sleeper video, when a deliberately retro images prefaces their new album in the video for ‘The Sun Also Rises’.
After over two decades in the business, Italian garage rock/power pop band The Peawees have created more than a musical legacy. Their 2018 LP ‘Moving Target’ provided an excellent insight into the band’s style – a great listen for anyone unfamiliar with the band – delivering great hook after great hook. A tribute to Phil Spector on the suitably titled ‘Phil Spector’ provided an album highlight on a track big on retro riffs and even bigger on sleigh bells.
A new track, ‘You Don’t Know Me’ adds further to the band’s legacy with a three minute, guitar driven blaster that combines the more commercial feel of early 90s Social Distortion with the chorus thrills of Gaslight Anthem, all wrapped up in something that pays homage to ‘I Fought The Law’.