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Archive for the Category ‘Reviews’

DARK DARK HORSE – Centuries

DARK DARK HORSE – Centuries

While the bulk of the work released by Leicester post-rockers Maybeshewill is concerned with winding atmospheres around hard edged guitar riffs, this project from Jamie Ward creates an almost entirely different mood.  Over the course of eleven tracks, Dark Dark Horse’s debut release ‘Centuries’ weaves electronic ambience, pulling together the best moments from the likes [...]

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THE END MEN – Play With Your Toys

THE END MEN – Play With Your Toys

In the role of carnival barker, The End Men’s mouthpiece Matthew Hendershot beckons us into his tent of musical curiosity at the beginning of the New York duo’s second release. His voice is curiously like that of Tom Waits with its gravelly tone, a comparison heightened by the sideshow setting, while the minimalist music recalls [...]

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SNOWFALL – Cold Silence

SNOWFALL – Cold Silence

In the noughties, Norwegian hard rock band Winter Parade released two albums for two different independent hard rock labels: while ‘Midnight Paradise’ [MTM Records, 2002] and ‘Two’ [Perris Records, 2008] were a huge commercial success, both found a cult audience. Following the band’s demise, bassist PB Riise teamed up with guitarist Tore Meli and Coldspell [...]

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MY DYING BRIDE – The Manuscript EP

MY DYING BRIDE – The Manuscript EP

Twenty years into a career of cult stardom, this four track release from Yorkshire’s My Dying Bride continues their ongoing voyage into sludge rock and doom rock territories. Clocking in at over twenty seven minutes for just four songs, some of you will own supposedly full length albums which are barely any longer (Van Halen [...]

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UK DECAY – New Hope For The Dead

UK DECAY – New Hope For The Dead

They may have only released one full-length album in their original incarnation, but UK Decay influenced a generation of musicians, and along with Southern Death Cult and Siouxsie and the Banshees are considered by some to be the fore fathers of the goth movement.  A quarter century on from their last studio recording, the core [...]

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BREED77 – The Evil Inside

BREED77 – The Evil Inside

The early releases by Gibraltarian alt-rockers Breed77 (a name they choose to pronounce with a ‘seven-seven’) are very much workman-like affairs, often derivative of many US post-grunge/alternative rock bands. Even with hints of flamenco music colouring their sound, the song writing on those records often lacks the spark needed to make them stand out from [...]

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FLEETWOOD MAC – Kiln House

FLEETWOOD MAC – Kiln House

At the time of release of their third album ‘Then Play On’ in September 1969, Fleetwood Mac were an absolute musical powerhouse.  While the band were not as purist in their blues ethic as before, on that release, bandleader Peter Green’s song writing, vocal style and guitar playing are at their career peak, while Danny [...]

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A HERO FOR THE WORLD – A Hero For The World

A HERO FOR THE WORLD – A Hero For The World

A Hero For The World is a hugely theatrical musical project in the Tobias Sammett/Avantasia tradition spearheaded by to Scandinavian musicians, Jonas Kaasgaard and David Sivelind.  Between them – and, naturally, with a helping hand from a few friends – they’ve created an eponymously titled epic is as big in intent as it is in [...]

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POSTCODE – ZebrATP EP

POSTCODE – ZebrATP EP

In 2007, Postcode released their debut full-length album ‘Zebracore’.  Both this record and it’s follow up (‘Zebraland’) were loaded with overdriven guitar lines, fuzzed out vocals and a truckload of distortion – as if The Breeders had merged with Bikini Kill and asked Steve Albini to record a bunch of songs on the fly. Their [...]

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THE COMPUTERS – Love Triangles, Hate Squares

THE COMPUTERS – Love Triangles, Hate Squares

The first two releases from The Computers showed a band firmly rooted in garage-based rock rock.  In the three years between their debut EP (2008’s ‘You Can’t Hide From…’) and their first full length release (2011’s ‘This Is The Computers’), although still raucous, the band had tempered the rawest end of their sound with a [...]

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