Formed in 2016, Chicago’s High Priest mix doomy metal and heavy blues sounds in a way that’ll be guaranteed to please fans of ‘Americas Volume Dealer’ era Corrosion of Conformity as well as those who’ve made it all the way through the particularly lengthy 2CD edition of Jerry Cantrell’s ‘Degradation Trip Vols. 1 & 2’. Here is a band that not only loves a heavy riff but truly understands that heaviness is at its most effective when applied to a strong melody. As a result, ‘Sanctum’ is a must-hear.
On their second EP ‘Six Pack’, self-confessed “slacker rock” Parisians Normcore are here to remind you of the Reading Festival mud-bath of 1992 and the long, hot summer of 1995. On a spirited homage to various distorted indie rock heroes from decades past, its six songs recycle the best bits of early Weezer, Dinosaur Jr., Superchunk and Pavement with a loving charm, but a heavy French accent throughout gives this distortion-loving quartet a slightly different slant on an overly familiar sound.
According to French performer Chevalien, he sees no black or white, just a world of grey. A similar vagueness could be applied when attempting to categorise his music, as this EP brings together elements of heavy electronica, rap and rock-ish flourishes creating something that is hard to define, beyond slating it as an intense noise.
If you were the kind of person that went to ska and punk gigs back in the late 90s, chances are you saw King Prawn. Chances are you saw the band a lot. There was a period when they seemed to support anyone and everyone. No matter how many times they appeared on a bill, though, they were always entertaining…and once seen, nobody could ever forget bassist Babar Luck’s distinctive presence.
The band split in 2003 but reformed nine years later without Luck. The idea of a King Prawn without him seemed odd at first, especially since he was such an integral part of the original band’s live show, but it was good to have them back. Showing off a more commercial side, King Prawn’s 2014 comeback single ‘Done Days’ was, in some ways, a lacklustre return to studio work, but five years on, the long-awaited full length ‘The Fabulous New Sounds of King Prawn’ is a marked improvement.
Using the name Holmes, singer/songwriter/producer Roy Shakked released an unmissable covers album – the appropriately titled ‘Covers’ – back in 2011. The following years found him disappearing into a busy schedule of work: a full length album of originals appeared in 2012 and following his relocating to Israel, by 2015, he was became a member of a new band The Bright Wild. Roy’s music continued to be hidden in plain sight over the next couple of years with his compositions appearing on numerous TV shows and adverts in the US and his need to create new sounds eventually yielded a new solo EP in December 2017. Continue reading