It’s a good time to be an Anthony Phillips fan. Following the October release of Rocking Horse Club’s excellent tribute album ‘Which Way The Wind Blows’ [a full review can be found here], the original Genesis guitarist will release a new solo album on 25th October.
There have been various Genesis related tributes over the years. From Magna Carta Records’ all-star prog-fest ‘Supper’s Ready’, to critically acclaimed live shows from The Musical Box, to Steve Hackett’s own ‘Genesis Revisited’ series of recordings and tours, they all have their place. They also have one thing in common: they are heavily weighted towards the band’s output from 1971-76.
By comparison, the band’s founding guitarist’s contribution to the band is all too often overlooked. 1970’s ‘Trespass’ is an important transitional album taking Genesis from vaguely psychedelic pop in a Moody Blues vein to the ground breaking, sprawling and epic sound that would later be celebrated and Ant’s distinctive playing was a huge part of that. Even more overlooked is Ant’s extensive solo career, but a group of musicians from New Hampshire have taken giant steps to put that right with their 2019 release ‘Which Way The Wind Blows’. Chances are, the world at large would have little interest in a group of musicians from the Rocking Horse Studios sharing their interpretations of music that isn’t already widely known, but that gathering of friends have taken extra, important steps towards making sure their tribute is as broadly appealing as possible: ‘Which Way…’ features some cracking guests.
Supergroups rarely last a long time. The combination of various egos usually leads to burnout pretty quickly. In the case of Blackthorne (featuring Graham Bonnet along with members of Quiet Riot, House of Lords and Skull), there wasn’t really anything you’d call genuine longevity, but their course ran a little longer than most. Formed in 1991, they released their debut ‘Afterlife’ in 1993 which led to some success in Japan. Work on a second album was undertaken in the mid-90s, but the band called it a day before the record was ready for release. The tapes remained unreleased until HNE Recordings unearthed them as part of their extensive (and excellent) Graham Bonnet reissue campaign. It’s a shame Blackthorne’s proposed second album couldn’t be heard in 1995, as at least half of it was an improvement over their first release.
Having already released ‘Afterlife’ with a handful of bonus tracks and finally gettiing ‘Blackthorne II: Don’t Kill The Thrill’ out to the fans in 2016, you’d expect that Cherry Red/HNE Recordings would have nothing more to give from Blackthorne’s all too short career, but this compilation (released in October 2019) actually adds a lot more to the band’s recorded legacy. Not so much a career overview with a few unreleased trinkets, this set is actually a vault of demos and alternate takes, peppered with a few album cuts to give a fairer overview of their short life span. Presented among the 44 tracks in this set are 30 unreleased cuts, a couple of which go right back to the band’s origins when the rhythm section featured White Lion men James Lomenzo and Greg D’Angelo. In other words, there’s a huge amount for fans to get their ears around.
What would happen if you allowed the drummer from garage punk band Wirms a completely free rein to record whatever he wanted with some friends? You’d get a cassette of punk noise, showcasing a handful of songs that take a loose and childish inspiration from various film titles. …And he’d then decide that Musclegoose would make a fitting name.
Formed in South Carolina in 2018, MNRVA brings together the talents of Arcane vocalist/guitarist Byron Hawk and Iron Fist’s Gina Ercoli and Kevin Jennings (drums and bass, respectively) to create an uncompromising sludge metal power trio. Often showing an unhealthy early Melvins and Electric Wizard obsession, their main concern on this debut EP is taking some really heavy riffs and slowly bludgeoning their audience. As heavy as a very heavy thing, of course, that results in a timeless doomy, sludgy and sometimes uncompromising sound that fans of the style will love.