A prolific musician, Magnus Karlsson has worked with many legends from the hard rock and melodic metal scene. You’ll find his name attached to works by Magnum’s Bob Catley, TNT’s Tony Harnell, Russell Allen, Bobby Kimball and Phenomena. He’s also been a member of Euro metallers Primal Fear. Perhaps most importantly, the Swedish multi-instrumentalist has received great press for his own project Free Fall, designed to showcase his melodic metal prowess behind an impressive roll call of guest vocalists. An enjoyable self-titled release set a high musical benchmark in 2013 with a collection of very European sounding bangers. A follow up, 2015’s ‘Kingdom of Rock‘ (not to be confused with an identically titled project from the legendary Michael Schenker), sometimes showed a lighter side with contributions from Joe Lynn Turner and Harem Scarem man Harry Hess and although a more hit and miss disc, it still provided a decent collection filler for anyone enamoured with the style.
…And so, Real Gone reaches the inevitable end of The Great 80s Project, but what an amazing year for music! The charts didn’t always reflect the interesting things going on, but in terms of albums, it’s a year full of wonder.
In 2012, Blue Öyster Cult released ‘The Columbia Albums Collection’, a seventeen disc set rounding up their output for the label between 1973 and 1988. It was a set that was worth picking up even for those that owned some of the albums previously, as it also included a couple of discs of rarities. For a limited time, owners could even access four previously unreleased live shows via the BÖC website, which was a definite sweetener for those who’d bought ‘Agents of Fortune’, ‘Spectres’ and ‘Some Enchanted Evening’ a couple of times over already.
To promote the box set, the band held a one-off concert in New York. Finally released as ‘Iheart Radio 2012’ in the summer of 2020, when heard retrospectively, it isn’t a perfect set by any means, though it has enough to recommend it. Capturing the band in front of a select audience of 200 fans, the recording could have had a similarly flat atmosphere to ‘Agents of Fortune – 2016’ (released via Frontiers Records in early 2020), but due to not being tied to such a rigid setlist, founders Donald “Buck Dharma” Roeser and Eric Bloom, along with bassist Kasim Sulton, guitarist Richie Castallano and drummer Jules Radino, sound much less like a band going through the motions (no pun intended).
A band who’ve been favourably compared to Don Broco and Deaf Havana, Dead Reynolds’ work typically combines an alternative crunch with pop hooks on tunes that have some really deep textures. Although this release comes only two years into their career, on the four tracks that make up their ‘Frontier’ EP show all the confidence of a band much longer in the tooth while clinging on to a fairly youthful sound.
With the decade coming towards its end, 1988 was a genuine mixed bag. Pet Shop Boys released some of their best ever work; Elton John’s ‘Reg Strikes Back’ album marked somewhat of a comeback for the megastar after five years of intermittently enjoyable material and Jane Wiedlin hit the UK singles chart with ‘Rush Hour’, arguably one of the decade’s greatest pop singles.