In 2015, singer songwriter Matt Cahill took a break from his main band Evoletah to experiment with multi-instrumentalist Andrew Muecke and create something that would be so different from everything he’d recorded before. There’s no point in having side projects if they end up being too similar to your regular band, of course, but with The Quiet Room’s ‘All The Frozen Horses’, it’s unlikely that many Evoletah fans expected anything close to the sounds that materialised. Instead of atmospheric, guitar driven rock, The Quiet Room were all about keyboards, space and a cold spookiness.
Over the past decade, prog band Big Big Train have gone from strength to strength. Following the release of their ‘Underfall Yard’ album in 2009 the band’s popularity has continued to soar.
In many ways, their ‘English Electric’ pair of albums seemed hard to top – especially when reissued as a deluxe two CD set, resequenced with extra tracks – but the more pastoral ‘Grimspound’ and ‘Second Brightest Star’ have continued a wondrous musical ascent.
After releasing a pair of 7”s in 2016 and ’17 respectively and then honing their talents with a seemingly endless string of live dates, it seemed only natural that Texan doom/stoner metal band Doomstress would eventually get around to recording a long-awaited full length album. It’s every stoner band’s dream to create something that pays homage to either a Rodger Bain production of the early 70s or recycle that warm and fuzzy goodness as per the early Fu Manchu records and this debut from Doomstress does a fine job of capturing both aspects. Despite the studio often dulling the power in a performance, this album shows off a very natural sound, throughout, which of course is just perfect for the style in hand.
Steve Hewitt is a singer-songwriter from Kent whose previous works have gained some very positive reviews from singer-songwriter, folk and Americana fans, with particular praise for carrying such an American sound considering his very English roots.
His first full length album ‘Bigger Than Words’ presents a far more intimate sound than his 2015 EP release ‘Life Stories’. Lots of the poppier elements have been cast aside in a move for the better. With Hewitt baring his soul in a more stripped back fashion, the album largely works around a finely played acoustic six string and a big voice, although a few other embellishments help to give his personal songs a much fuller feel without losing any of the subtleties. …And even a couple of forays into adult pop are far more professional sounding than anything Steve has released previously.
Here at Real Gone, we’ve been big fans of Marillion for longer than we’d care to remember. Unlike some fans, though, we accept that not everything the band has recorded resembles pure gold. Last year, we shared our “ten best” with you – an article that generated a lot of discussion. In the interest of balance and in the wake of the 2019 UK fan weekend, here are ten Marillion songs we think should have been consigned to the dustbin of history…