New Eric Burdon & The Animals box set coming from Esoteric in February

When most people think of Eric Burdon, they think of The Animals.  More specifically, they think of The Animals’ hit-making period between 1964-66.  They might even think about Eric’s recordings with War, a brief association that spawned cult albums in 1970.

Between these two high profile periods, Burdon continued to record.  Much like Fleetwood Mac’s “wilderness period” that caused a drought of UK success between 1971 and 1975, Burdon’s output in 1967 and 1968 is often overlooked, yet in a little over a year, he released a string of non-charting albums credited to Eric Burdon & The Animals.

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NECRONAUTICAL – Apotheosis

In terms of twenty first century black metal, few bands create intense and dark atmospheres better than the UK’s Necronautical. Far more sophisticated than a pneumatic din with some casual church burning thrown in, their 2019 album ‘Apotheosis’ features seven tracks that show how – when well played – such extreme sounds can be carry a lot of weight in the progressive stakes. This album, although largely created from classic black metal roots, also takes in intensive folk metal and battle metal influences, to create something that ranks among the year’s most interesting extreme metal discs.

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Four disc Cream live box set due in Febuary

There is some great news for Cream fans early next year. February 2020 will see the release of ‘Goodbye Tour’, a four disc live anthology bringing together recordings from the legendary trio’s final live dates. The set will include nineteen tracks previously unavailable on CD, including nine from The Royal Albert Hall, previously only available on DVD.

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HOUSE OF SHAKIRA – Radiocarbon

House of Shakira’s ninth album ‘Radiocarbon’ comes some twenty two years after their debut. This means this lesser known band’s career has effectively been longer than some of the classic melodic rock/AOR acts of the 80s heyday. On the basis of ‘Radiocarbon’, they still love what they do…and if you’re a fan of big melodic riffs with a Swedish bent, chances are you will too. Although the album appears to have been mastered far too loudly – a somewhat common complaint in this digital age – the songs are, by and large, terrific. That’s enough to make the album stand among HoS’s best.

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VICTIM CULTURE – Victim Culture

Naming themselves after a Gallows song, it should come as no surprise that Denver’s Victim Culture hone a sound that owes a great debt to that much loved UK/Canadian hardcore outfit. This debut album is tough and raw; it’s overall sound carrying the brickbats of a stomping hardcore sound that fuses a metallic chug with rousing street punk choruses.

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