THE PICTURES – I Can’t Hold It Back / Ground Control (4 Track Demo)

The name Davey Lane might not mean much to a huge amount of people in the UK, but the Aussie musician has been more than prolific over the years. In the 90s, he was a key member of rock band The Pictures before joining You Am I in 1999. In more recent times, he’s carved out a solo career, played on albums by Jimmy Barnes, The Saints’ Chris Bailey, and also appeared on recordings by Robyn Hitchcock. He’s worked with the legendary Todd Rundgren, and even toured with Crowded House. He’s the archetypal go-to guy; a face you don’t necessarily know, but one that has always been there.

Continue reading

SUNNYDALES – The Puppet Show EP

For a band that essentially formed themselves around a novelty idea – to perform punk songs based on plot points from Buffy The Vampire Slayer – Sunnydales have a surprising amount of staying power. On this fourth EP, the Fresno punks sound better than ever. Granted, their lyrical schtick ploughs a similar furrow to before, and they display their love for Ramones’ past works so proudly, the influence isn’t ever subtle, but all of its predictability, ‘The Puppet Show’ EP shows them in a more confident way than ever before.

Continue reading

RivetSkull cover Aerosmith classic on reworked version of ‘Trail of Souls’

In their own words, RivetSkull are a band committed to “bringing classic heavy metal into the future”, but their range of influences often sets them apart from being yet another leather trousered band of blokes recycling traditional sounds.

Their ‘Trail of Souls’ album was recorded in 2020 in less than ideal conditions, as a global pandemic took hold. The album’s production obviously showed these limitations, especially through a slightly muddy guitar tone and flat drum sound, but the best songs shone through the murk, often suggesting the work of a band who understood the importance of melody.

Continue reading

COFFIN TORTURE – Blennoid

There’s no other way of putting it, but this album from Coffin Torture is absolutely brutal. By blending sludge metal production values with doom laden riffs, a swathe of death metal and several retching vocals that convey an almost demonic presence, the South Carolina noise makers have reached an early peak on this set of songs. Following a string of self-released EP’s, this longer workout really allows them to wield their sledgehammer sound with a much greater power, but it’s entirely likely that a lot of people won’t actually make it past the third track…

Continue reading