Watch the new video from Scattered Hamlet

They may not be the biggest name on the rock scene, but Scattered Hamlet have been making some very chunky (and very retro) sounds for a decade.  The US band mix classic hard rock, swampy attitude and big hooks to create something that sounds occasionally like a blend of the lighter end of Zakk Wylde meeting with the more melodic strains of Corrosion of Conformity or, perhaps, a throwback to the days of Roadsaw colliding with a classic rock sound.

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Listen: Death On Fire release a new cover of Type O Negative’s ‘World Coming Down’

Barely any time has passed since US doom metal band Death On Fire released their ‘Six Foot Box’ EP, but the Fort Wayne riff makers are back with a new treat.  Tapping into their slower, moodier side, they’ve unleashed a cover of Type O Negative’s ‘World Coming Down’.

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THE HEARTDROPS – Three Songs EP

Although their name might not be among garage punk’s most familiar, The Heartdrops released a couple of enjoyable albums back in the late 90s. Their debut, ‘This Is The Heartdrops’ (issued on Melted Records in 1997), served up a relentless collection of riff-based numbers, almost guaranteed to make an indelible impression. The band never got the big break they deserved at the time, but the internet has always been a handy tool for rediscovering overlooked artists and lost gems, and this three track freebie is a superb introduction to The Heartdrops’ world of riffs. The three songs were originally issued on a shared EP with The Spills in ’99 – effectively the band’s swansong – but decades on, the tunes sound as good as ever, and certainly don’t sound like the work of a band that would soon throw in the towel.

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VARIOUS ARTISTS – Breakthrough: The Underground Sounds Of 1971

According to music historian and author David Hepworth, 1971 is “rock’s most exciting year”. There are a lot of music fans of a certain age who would agree with that: those keen record buyers who still treasure well worn copies of Uriah Heep’s ‘Salisbury’, Caravan’s ‘In The Land of Grey & Pink’, Hawkwind’s ‘In Search of Space’ and Rory Gallagher’s ‘Deuce’; people who’d hit their early twenties in time to hear Pink Floyd’s ‘Meddle’ and Emerson, Lake & Palmer’s ‘Tarkus’ with fresh ears when the sounds of those hugely indulgent arrangements sounded like the future; and certainly not forgetting those for whom the first three Black Sabbath albums heralded the arrival of a whole new genre, but arguably hit perfection in ’71. There’s a lot of further weight to be added to the argument that 1971 is musically significant, with lesser known albums by Samurai and Jade Warrior propping up the art-rock scene, The Zombies’ Colin Blunstone delivering an absolutely killer solo debut with ‘One Year’ and Phil Collins making his first major appearance with Genesis. All of that barely scratches the surface, of course, but it’s fair to say there was always far more to 1971 than Led Zeppelin’s monolithic fourth platter and ‘Who’s Next’.

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