Formed in Germany during the Coronavirus lockdown of 2020, Lobsterbomb have an intense sound and positive spirit that combats the negative vibe of the time in which their first songs were written. By combining the lower budget end of the early Yeah Yeah Yeahs sound and the unrestrained yelping of Katie Jane Garside, they hit upon a classic garage punk sound, and after releasing a trio of digital singles in fairly quick succession during the first quarter of 2021, they connected with an audience of like-minded DIY music fans. Although there wasn’t necessarily much in the way of originality in the sound itself, in terms of rousing an energy and an ability to deliver a lyric or two that seemed more self-aware than most, these recordings more than hit the mark.
Monthly Archives: August 2021
Watch: UB40 – Live At Hammersmith Odeon 1983
Throughout the 80s, UB40 barely put a foot wrong. Between their own politically charged anthems, experiments with dub and bringing several 60s Trojan cuts to a new audience, they became true ambassadors for reggae.
Given how good most of their 80s output is, it’s a shame that only two of their albums have been released as expanded deluxe editions, and two of their essential live VHS releases have still yet to surface on a digital format. This Hammersmith show from 1983 didn’t even get a sell through VHS release for the home market. If you’re ever lucky enough to find a copy that hasn’t gone to landfill, it’ll be a “big box” ex-rental with, by now, something of a dubious picture and sound quality.
SLOMATICS / YANOMOMO – Split Release
For fans of extreme metal, Belfast sludge beasts Slomatics are a band who’ll need no introduction. Since their inception back in 2004, they’ve been utterly committed to creating the heaviest sounds and they’ve won a legion of fans with their slow, crushing, doom-laden noise. No strangers to a split release, they’ve shared discs with Conan, El Bastardo and Holly Hunt. They kicked off 2021 by sharing a split with UK hardcore metal act Ungraven, only to return a few months later on this split disc with Aussie doomers Yanomamo.
ELECTRIC SIX – Streets Of Gold
Electric Six’s debut album, 2003’s ‘Fire’, was a runaway success. On that record, the band’s disco/garage rock hybrid sound caught the ears of a generation and, back when such things were important, its massive singles gained heavy rotation on the music TV channels. The live shows that followed stoked up the fun, with “dance commander” Dick Valentine, indeed, showing a decent command of an audience looking for big grooves and cheap thrills. Things might not have worked out quite so well in a tent at the Reading Festival that year when the attendant crowd heckled endlessly for ‘Gay Bar’ – and only wanted to hear ‘Gay Bar’ – but being a smart cookie, Valentine managed to keep everyone under control while working through really spirited renditions of the album tracks until the restless crowd finally got their wish. A lesser frontman might have allowed things to descend into chaos, but despite half the audience’s indifference beyond the hits, it ended up being a superb show.
VINEGAR JOE – The Island Recordings 1972-1973
Formed from the ashes of Dada, a huge jazz/blues rock band featuring guitarist Pete Gage, vocalist Elkie Brooks and (latterly) Robert Palmer, Vinegar Joe rode on the coattails of the British blues movement, releasing three albums in the early 70s. Over the years, their recordings haven’t been the easiest to track down, despite Lemon Records reissuing ‘Rock ‘N’ Roll Gypsies’ (1972) and ‘Six Star General’ (1973) on CD in 2003, before giving the 1972 debut the same loving treatment somewhat belatedly in 2008. Bringing the Vinegar Joe legacy back to the masses once again, ‘Finer Things: The Island Recordings (1972-1973)’ rounds up absolutely everything the short-lived band ever recorded in the studio and issues it in one place for the first time. Although they never recorded what you’d call “a perfect album” they came pretty close on two occasions, and this set shows off a great band, even though the studio recordings supposedly never captured the fire of their live shows. There are enough great tracks scattered throughout the three discs to potentially attract a new generation of fans.