Covers albums can be a hit and miss prospect. For every band willing to take risks, there are three dozen hacking out uninspired versions of other peoples’ songs in the name of a quick buck. As proven by Jorn Lande, metal based covers albums can be an even trickier thing to pull off successfully, since not everything needs – or even suits – being “heavied up” in the name of entertainment. In fact, the experience of hearing Lande wail his way through Don Henley’s ‘New York Minute’ could be enough to put you off metal oriented covers albums for life…
Throughout the first Covid-19 pandemic lockdown of 2020, Canadian musician Matt Ellis used his time very constructively. He recorded a series of demo quality EPs in his bathroom, showcasing lo-fi punk music that borrowed heavily from the Ramones’ back catalogue. What those EP releases lacked in sheen, they made up for with a lot of spirit, and for those concerned about their lack of audio fidelity, they served a great purpose in that all monies earned from Bandcamp sales was subsequently donated to various charities.
By mixing a huge slab of groove metal with a pinch of metalcore, Oregon’s Ligature Marks create an amazing sound on their current single ‘Noise In The Signal’. It’s the kind of track that all fans of the heavier end of the spectrum will love in a heartbeat.
JoeyDiabolic is a self-described “alternative musician”. At the beginning of 2021, he released an EP entitled ‘Through Soundwaves Vol 3’ where he offered covers of tracks by Anthrax, White Zombie and others, mixing heavy riffs with darkwave synth sounds and occasional gothic vocals. On the negative side, there wasn’t much about any of it you could actually call “alternative” at the time of release. However, for listeners that happened to be in their mid forties, the recordings still offered a welcome nostalgic bent. It also introduced listeners to JoeyDiabolic’s horror fixations. Aside from a tip of the hat to the mighty Rob Zombie, the EP’s self penned intro ‘Son of A Hundred Maniacs’ referenced Freddy Kruger, and it’s that Wes Craven creation that provides the heart of this follow up, released just a short while later.
Those with a keen ear for underground pop music will already be aware of The 1957 Tail-Fin Fiasco. The Essex based musical duo featuring vocalists/multi instrumentalists Malcolm Moore and David Myers first appeared on the power pop scene with their ‘Private Jet Flashback’ album in 2013, and armed with a quirky sense of humour and a boundless love of Steely Dan, they quickly marked themselves out as champions of a retro style. Although further releases occasionally included a few rockier moments alongside weird nods to tangos and lounge music, the band’s love of all things brilliantly kitschy held firm.