JEFFERSON STARSHIP – Mother Of The Sun EP

When Jefferson Airplane morphed into Jefferson Starship in the early seventies, guitarist Paul Kantner was always there to help give the band a true anchor. Despite constantly changing line-ups and changing sounds throughout that decade and beyond, they made some great albums. When Kantner left the band in 1984, he took the Jefferson name with him and although that marked the end for an important phase of the Airplane/Starship story, the remaining members of the newly named Starship (sans Jefferson) went on to have their greatest success. Although often derided, their mega-selling ‘We Built This City’ (co-written with the legendary Bernie Taupin) was a massive success on both sides of the Atlantic.

Following Kantner’s return in 1992, the band (now with the Jefferson properly reinstated) didn’t have so much in the way of commercial success. However, they continued to work hard and various incarnations of Jefferson Starship could be found touring the States in the first part of the twentieth century, in all kinds of venues and on all kinds of nostalgia bills. Several official bootlegs document this time and can be listened to with varying degrees of enjoyment. Between 1992 and 2019, only two new studio albums (1998’s ‘Windows of Heaven’ and 2008’s ‘Jefferson’s Tree of Liberty’) made it into the wild. Neither were very good, but Jefferson Starship trucked on, much in the way they always had, until Paul passed away in 2016.

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PILOT – The Albums: 1974-1977

Although best remembered for massive hits ‘Magic’ and ‘January’, there was always far more to Pilot’s career in the 1970s. The Scottish pop-rockers released four albums between 1974 and 1977 containing well crafted pop and rock elements which, at their best, should’ve placed the band high on a pantheon of pop alongside 10cc and Andrew Gold. Instead, they’re sometimes remembered – somewhat unfairly – as part of the decade’s pop pin-up fare. Just take one listen to the giant fanfare that heralds the arrival of #1 hit ‘January’, with its multi-tracked guitars and enduringly jubilant vocal performance, or David Paton’s complex bass runs that cut through the heart of ‘Magic’, and it’s obvious this was no generic pop band.

The obviously titled ‘The Albums’ brings together all four of the band’s four major releases for the first time, including the first ever UK CD release for their ‘Two’s A Crowd’ LP from 1977. As those who’ve treasured their vinyl copies of the first two albums will suspect, this is a collection that features a fair amount of great material, but shows how Pilot weren’t always the most consistent among the decade’s pop-rockers.

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MARILLION: Chippenham Goldiggers – 12th March 1984

A lot of great Marillion shows have been made available on video, DVD and blu ray over the years.  Dozens of shows from the 90s onward have been issued via the band’s official website, but fans of Marillion’s formative years have had to make do with just two shows – neither of which show the band at their best.

‘Recital of The Script’, filmed at Hammersmith Odeon in 1983, remains the definitive document of early Marillion despite being hampered by some painfully slow drumming.  At the other end of the “Fish Years”, the 1987 festival set ‘Live at Loreley’ shows Marillion seeming rather tired and in need of a little re-invention.

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VARIOUS ARTISTS – Peephole In My Brain: The British Progressive Pop Sounds of 1971

The box sets released by Grapefruit Records covering the second half of the 60s managed to bring together a lot of interesting material under the loose umbrella of psychedelia. The four box sets – featuring music from 1966-69 respectively – also took in bits of pop, freakbeat and folk, but with so many phased guitars, recurring themes of teatime and other whimsy dictated by a general soft drugs haze, they often felt like coherent packages. Once the yearly exploriations move the into the 70s, there isn’t quite such a focus; with the first wave of psychedelia in its death throes, as well the rise of hard rock and singer-songwriters, the early 70s paint from much broader musical palate.

A stylistic indecision hasn’t stopped Grapefruit from digging deep and turning up loads of interesting things to fill ‘Peephole In My Brain: The British Progressive Pop sounds of 1971’, of course, and its three discs are brimming with obscurities, flop singles, half remembered gems and deep album cuts. With the vaults of Harvest, Vertigo, Ember and various other labels truly raided, it’s a set that’s quite quirky in its own way – and a reminder that there was far more going on at the time than the Black Sabbath, Deep Purple, Yes and Tull-loving rock historians would have you believe.

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