Monthly Archives: November 2018

VARIOUS ARTISTS – Yesterday And Today: A 50th Anniversary Tribute To Yes

Posted on by

Fifty years is a long time for anything. It seems an especially long time for a band to exist…and particularly one that always set out to push boundaries and create music that wouldn’t necessarily appeal to the pop music buying masses. …And yet, here we are: prog rock legends Yes celebrated their half century in 2018. Granted, they’ve had an ever evolving, less than stable line up – no fewer than nineteen members have passed through the official ranks of Yes since their inception in 1968, and at the end of 2018, none of the band members are the true founders – but there is still a Yes. Detractors be damned.

Masterminded by Dave Kerzner, ‘Yesterday And Today’ is an all-star tribute that celebrates all line-ups and all eras of a great band, featuring a few very familiar faces, some of whom have been brave enough to tackle a couple of deeper cuts from the Yes catalogue.

Continue reading →

SILVER SCREAMS – Alive In The Afterlife EP

Posted on by

With no concessions to pop-oriented choruses, metallic breakdowns or obvious 90s skate elements, Boston’s Silver Screams play classic punk with hardcore edges. Their 2018 EP ‘Alive In The Afterlife’ is built from tough riffs that often champion the old-school approach which, coupled with a natural vocal and a huge amount of speed, results in a potential DIY classic.

Continue reading →

ALCATRAZZ – The Official Bootleg Box Set 1983-1986

Posted on by

Following in the footsteps of various archive solo releases by Graham Bonnet – ranging from his unreleased solo debut to a three disc anthology of unreleased recordings from his time in Australia – this six disc box set from Hear No Evil Records gives Bonnet’s fans another reason to celebrate. ‘The Official Bootleg Box Set 1983-1986’ does exactly what it says on the tin. It presents three different live shows from Texas on the ‘No Parole From Rock ‘N’ Roll’ tour – featuring Yngwie Malmsteen on guitar – alongside three discs’ worth of rehearsals and demos culled from a four year period.

Continue reading →

Eddie Jobson: The Band Years 1971-79 / First in a series of compilations due very soon

Posted on by

For most people, Eddie Jobson will be best known as an electric violin player who made his name in the seventies as a member of Curved Air and Roxy Music, as well as being a founder member of progressive rock supergroup UK.

Jobson has had a long and varied career, which will be celebrated on a series of compilation discs – each one covering a separate decade.  The first of these, ‘The Band Years: 1971-79’ features a well curated selection of tracks including solo material and some of the bands with which Jobson made his name, including a broad overview of UK’s two studio albums.

Continue reading →

VARIOUS ARTISTS – A Life In Yes: The Chris Squire Tribute

Posted on by

Taking an early influence from Paul McCartney, bassist Chris Squire truly pushed boundaries in the late sixties and early 70s and took the four stringed instrument into new territory. Using the rhythmic instrument as a lead, Squire gave the bass a distinctive voice and with progressive rock band Yes, he subsequently became a huge influence upon bassists around the world.

Prior to his death in 2015, Squire gave his blessing for Yes to continue without him. In many ways, any form of Yes without Squire seemed like an odd proposition since his writing and arranging skills were always pivotal to everything, but the official Yes (featuring long-time members Stece Howe and Alan White, alongside vocalist Jon Davison) have toured harder and more extensively than ever, keen to keep Squire’s memory and legacy alive. With Yes releasing their own tribute in October 2018 via Cherry Red Records (including new recordings by Yes men Jon Davison and Billy Sherwood), it’s only right that the band’s founding father should have his own tribute too, and while on the surface, this US release ‘A Life In Yes’ (issued via Cleopatra/Purple Pyramid) doesn’t appear quite as glossy as its UK counterpart, it is every bit as interesting. A few recordings even make it an essential listen.

Continue reading →