On their earlier releases, Zeit’s music has an insanely intense quality. It’s heavy, cold and deliberately under-produced – everything you’d expect from a German depressive black metal/noise rock trio – but at the same time, those recordings push black metal into interesting and occasionally industrial climes. Listening to those EPs, you could wonder what depths of despair led to the creation of such confronting noise.
In the autumn of 1977, a most unlikely star made his big breakthrough on the UK music scene. A jerky and energetic man sporting Buddy Holly spectacles, Elvis Costello was to make regular appearances on Top of The Pops over the next couple of years. The power in most of his musical arrangements was immediate, but lyrically, this was a man who was a cut above. Spewing more sneering puns than anyone would likely hear on hit singles until Carter The Unstoppable Sex Machine would make their breakthrough in 1989, Elvis cut a very distinctive presence.
Mixing prog, pop and AOR, the first album by World Trade is somewhat of a cult classic. Showcasing Billy Sherwood’s multi-layered sound, the record is essential listening for fans of ‘Images of Forever’ by Cannata, ‘90125’ era Yes and ‘Hold Your Fire’ era Rush. Given it’s technical approach and sophisticated choruses, it’s no wonder Billy became a member of the Yes family tree a short time later. Six years on, a second World Trade album appeared, but ‘Euphoria’ seemed to not quite match expectations. Maybe it’s because both Guy Allison and Bruce Gowdy had founded AOR band Unruly Child with Marcie Free in the interim and had other interests; maybe it was just a difficult second record. The record, while enjoyable, lacked the focus of the debut and re-used tracks that Sherwood had previously demoed with Chris Squire alongside other material.
With Sherwood having other projects taking his time and also taking on the unenviable position of full time bassist with the ever-touring Yes in 2015, and with Gowdy and Allison having commitments with Unruly Child, it seemed we’d heard the last of World Trade…and then a third album appeared somewhat unexpectedly on Frontiers Records in 2017.
In the first half of 2017, Strange Majik released the ‘Soul Crisis‘ EP. It’s four songs melded the typical Strange Majik funk, rock and soul sounds with a less typical anger. Donald Trump had just become one of the most powerful men in the world with a mandate that would drag the US backwards at a frightening rate. No wonder Strange Majik’s head honcho David Pattillo was in a foul mood. Several months down the line, very little has changed with the state of the world. Trump has increasingly made America a laughing stock, but people aren’t taking it lying down…or letting it stifle their voices or creativity.
In April 2017, singer songwriter Leslie Mendelson released ‘Love and Murder’, a downbeat and thoughtful album, mixing her own compositions with covers of more familiar material by Bob Dylan and Roy Orbison.
As part of the album’s promotion, an atmospheric black and white clip has been released for ‘Chasing The Thrill’, a video that really highlights the sparseness of the track in question. ‘Chasing The Thrill’ really shows off her old style and natural voice against a sparse arrangement and is a great indicator of why you should investigate the full album.