On August 29th 2014, bassist Glenn Cornick passed away after suffering heart failure. Although he recorded with a variety of bands including Wild Turkey and Paris, it is for his contribution to Jethro Tull’s early, Mr. Cornick will be most fondly remembered.
The record company office, sometime early 2014. Approximately 2:47pm, European time. A couple of hours of brainstorming for new ideas has reached a typical impasse. A man in his mid fifties with thinning hair paces up and down anxiously. Without anything fresh to put forth, he calls for assistance. Taking a phone from the pocket of his thirty year old stonewashed jeans, he pokes at the keypad.
“Is that Del Vecchio?” he asks, somewhat expectantly, “we need your help… Do you have any new songs? Bueno. Do you have connections to any European female vocalists we’ve not yet recorded? You do? Stupendo!”…
Veteran hardcore punks Angry Samoans are set for a short run of Canadian dates this September. The Canadian shows are bookended by two US dates and all gigs include support from Skullians, while the Middle East show also features the legendary Reagan Youth. All confirmed dates listed below.
Orlando’s Caffiends play good, raucous punk that’s strongly influenced by early Screeching Weasel, The Vindictives and NOFX. Since their formation, they’ve issued several EPs and shared stages with The Ataris, The Queers, Swingin’ Utters, Teenage Bottlerocket and numerous other top bands. 2014 saw the release of a sixteen track full-length release reissuing a bunch of out of print tunes, so for those who’ve yet to experience the band that record is an excellent way to catch up.
Spearheaded by unknown guitarist Jeremy Brunner, X-Drive is a hard rock project that celebrates 80s melodic rock in a particularly unashamed and brazen fashion. Joining Brunner on this particular journey are ex-White Lion bassist James Lomenzo, Montrose vocalist Keith St. John and Midline drummer Fred Fischer. They say you can’t always judge a book by the cover, but this band’s general style should be obvious after one look at their dubious choice of album sleeve. It’s not as bad as Montrose’s staggeringly awful ‘Jump On It’ – a sleeve that clearly inspired the end result – but it’s pretty unnecessary.